Image: Clark Little
Photographer Michelle Bowers captures the remains of abandoned houses and structures in North Carolina. Her photos, along with others that people submit to her, are posted on the project’s Facebook page.
"I’ve always hated history in school, but this seems like a way to get back into history," Bowers told WUNC.
Viewfinders: Black Women Photographers
A collection of diverse photographs from black female photographers from the mid-1800s to the present captures important aspects of African American history and reveals the talent and courage of a small band of pioneering artists. Reissue. National ad/promo.
began her formal training at age eight when her parents enrolled her in classes at the Art Institute of Chicago. When it was time for undergraduate studies, Moutoussamy-Ashe moved east to New York and received a B.F.A. degree in photography from The Cooper Union School of Art. After graduating in 1975, she worked as a graphic artist and photojournalist for WNBC-TV. In October 1976, Moutoussamy-Ashe was hired to take photographs at the United Negro College Fund tennis event, where she met tennis great, Arthur Ashe. The two married on February 20, 1977.
Throughout her career, Moutoussamy-Ashe has had frequent group and solo exhibitions at museums and galleries around the world including the Leica Gallery, the Museum of Modern Art, the Whitney Museum of American Art and the Brooklyn Museum of Art in New York; the Smithsonian and the National Portrait Gallery in Washington, D.C.; Galerie Herve Odermat in Paris and The Excelsior in Florence among others. Publications such as Life Magazine, The New York Times, People and the Associated Press have also featured her photography, disseminating it to a wider audience. In 2001, she hosted the documentary Crucible of the Millennium, which PBS broadcast nationwide…
Read more about Jeanne Moutoussamy-Ashe: http://www.thehistorymakers.com/biography/jeanne-moutoussamy-ashe-41
“In his college years, Adelman studied philosophy to try to figure out the point of being alive. In the Civil Rights movement, he found his answer.”
Coming out at noon, Merrimac Mills. All workers, even the boys at the side of the gate. Huntsville, Ala., 11/18/1910
From the series National Child Labor Committee Photographs taken by Lewis Hine.